Anton BrucknerThree Gregorian motetsfor choir a capella
Edited by Franz KreuzlingerIn many of Anton Bruckner's choral works there is a great closeness to Gregorian chant. Several arrangements by Bruckner have survived which add a basso continuo or organ accompaniment to the original chorale. Franz Kreuzlinger has now elaborated these into four-part movements. This small collection is a useful addition to the repertoire of Latin motets, not only for church choirs that are unable to realize the large motets.
Soprano, Alto, Tenor, Bass.
Choral score / 4 pages / minimum purchase 16 voices
Anton BrucknerAve Maria
Motet for choir and organ
Arranged by Franz Kreuzlinger
soprano, alto, tenor, bass, organ
organ score / 5 pages
choir/ 4 pages / 30 parts
You are welcome to order additional choral scores in addition to the organ score and the other 30 choral scores.
Anton BrucknerAve Maria
Motet for choir and small orchestra
Arranged by Franz Kreuzlinger
score and parts/ 32 pages
Choir score/ 4 pages / 30 parts
Additional choral scores are welcome to order in addition to the score, parts and the 50 choral scores.
Anton BrucknerAve Maria
Motet for choir and orchestra
Arranged by Franz Kreuzlinger
score and parts/ 43 pages
For the strings, a minimum instrumentation of 4-4-3-1 is supplied.
Choir score/ 4 pages / 50 parts
Additional choral scores are welcome to order in addition to the score, parts and the 50 choral scores.
Bach, Johann SebastianTwo death chorals"Dearest God, when will I die""When my hour is up"for 1 violoncello and choirEdited by Robert M. ZeziliusThe two death chorales, accompanied only by a cello, become an impressive diptych that alternates between premonition of death and the desire for redemption.Choir / 6 pages / cello / 2 pagesOne cello part and the ordered number of choir scores will be delivered.
Guise Jean François deAria: Bist du bei mir(original for voice and piano) - BWV 502for voice, organ and trumpetarranged by Jean François de GuiseJean François de Guise was commissioned to make an arrangement of the aria: "Bist du bei mir" by Johann Sebastian Bach. The original work is from the "Notenbüchlein für Anna Magdalena Bach" and bears the number BWV 508.In Bach's oeuvre there are numerous pieces that he created for organ and trumpet. Especially his chorale preludes belong to the repertoire of every serious musician for trumpet players until today. Likewise, the instrumentation of voice and organ, well established in the worship service, and always proves grateful.That singing, trumpet and orchestra also work in church music is known to everyone who has heard, for example, the famous aria "Großer Herr und starker König" from the Christmas Oratorio or the solo cantata "Jauchzet Gott in allen Landen".It was also from these experiences that the piece presented here was commissioned for Eternity Sunday.In order to make performances possible even in a small ensemble, Jean François de Guise decided to create an arrangement for voice, trumpet and organ.He not only added a solo part for the trumpet here, but also incorporated an interlude that does not appear in the original. This makes the piece a real little solo aria.Since most trumpeters today play on the German concert trumpet in Bb, this was the first choice for the score and as a single part in the edition. However, in order to give musicians who prefer the C notation the opportunity to play the work, a C part is also included in the edition. This can then be used equally for the piccolo trumpet.voice, 2 trumpets, organscore and 4 parts / 27 pages
Becker, AlbertChristmas motetsfor choir and organEdited by Franz KreuzlingerChristmas motets using the chorale "Vom Himmel hoch" by Martin Luther: Franz Kreuzlinger gave the extremely popular and easily realizable Christmas motet an independent orchestral part, which turns the simple choral setting into a choral symphonic gem and is a worthwhile addition to any Christmas concert.
Score for organ version / 9 pages // Part (organ) / 4 pages // Choir score / 5 pages
A score, a set of parts and 20 choral scores are supplied.
Please order additional choir scores separately
Becker, AlbertChristmas motetsfor choir and orchestraEdited by Franz KreuzlingerChristmas motets using the chorale "Vom Himmel hoch" by Martin Luther: Franz Kreuzlinger gave the extremely popular and easily realizable Christmas motet an independent orchestral part, which turns the simple choral setting into a choral symphonic gem and is a worthwhile addition to any Christmas concert.
Choral score / 5 pages // score / 14 pages // parts / 18 pages
A score, a set of parts and 20 choral scores are supplied.
Please order additional choir scores separately
Ludwig van BeethovenFuneral songsafter the "Three Equali", WoO 30Version for three-part choir (SAM) and organArranged by Fanny JansenSinging and playing score / 8 pages / minimum purchase 16 voices
Ebenhöh, HorstHaiku and short poems for medium voice and pianoop. 92.1 and 92.21. Ein Haiku (Horst Ebenhöh)2. O, ö, ü, a, au (Horst Ebenhöh)3. Wie bedeutsam sind wir (Horst Ebenhöh)4. Du solltest alles versuchen (Horst Ebenhöh)5. Die weissen Wölkchen (Winfried Bauernfeind) 6. Ich malte (Fritz Steiner)7. Mein Kater (Horst Ebenhöh)8. Die Seele tastet nach (Ernst Schönwiese)9. Vergiß, was du gesehen (Ernst Schönwiese)10. Hungrige Krähen (Edith Sommer)11. Sei wie du denkst (Horst Ebenhöh)12. Ein Ton (Horst Ebenhöh)13. Die Prim (Horst Ebenhöh)14. Die reine Quint (Horst Ebenhöh)15. Ich kann‘s nicht fassen (Horst Ebenhöh)16. Kleine Septim (Horst Ebenhöh)17. Die große Septim (Horst Ebenhöh)18. Lasse dich treiben (Horst Ebenhöh)medium voice, pianoPerforming score / 25 pages
Elgar, EdwardThree Motetsop. 2 for choir (SAM) and organArranged by Fanny Jansen1 playing score (9 pages) and 16 choral scores ( 6 pages each)Individual choral scores only available in addition, except for one proof copy.
Kreuzlinger Franz
Shepherd's dream
for female choir (with singing glasses)
The Christmas meditation "Shepherd's Dream" is a collage of two motifs from well-known Christmas carols. The opening theme from “Come, you shepherds” is used as an ostinato and the head motif of the song “When I watch my sheep” becomes the shepherds' hallelujah. The Lutheran Christmas carol “Vom Himmel hoch” resounds above both of them as a kind of “Cantus firmus”.
To execute:If possible, the three vocal groups should be positioned separately in the room.The "singing glasses" can be distributed among the singers or played by another group.
Duration: approx. 3-4 minutes
Choral score / 2 pages / minimum purchase 16 parts
Kreuzlinger Franz
Shepherd's dream
for female choir (with singing glasses)
The Christmas meditation "Shepherd's Dream" is a collage of two motifs from well-known Christmas carols. The opening theme from “Come, you shepherds” is used as an ostinato and the head motif of the song “When I watch my sheep” becomes the shepherds' hallelujah. The Lutheran Christmas carol “Vom Himmel hoch” resounds above both of them as a kind of “Cantus firmus”.
To execute:If possible, the three vocal groups should be positioned separately in the room.The "singing glasses" can be distributed among the singers or played by another group.
Duration: approx. 3-4 minutes
Choral score / 2 pages / minimum purchase 16 parts
Guise Jean François deNun komm, der Heiden Heiland
op. 7, No. 17
Jean Francois de Guise was born on 15.05.1970. He received his first musical lessons in 1976 on the recorder. From 1977, the trumpet became his main instrument, followed by music theory, composition, piano and organ as well as conducting and singing over the next few years. From 1991 to 1996, he studied in Paris and elsewhere.
His teachers included Jean Langlais, Sergiu Celebidache and Rolf Reuter. De Guise was particularly influenced in his composition by the American composer Elliott Carter.
He worked for many years as a solo trumpeter and conductor with renowned orchestras before devoting himself almost exclusively to composing and teaching.
De Guise's compositional output comprises around 450 works, including 4 operas and 32 orchestral concertos.
3 vocal scores & 2 parts / 62 pagesfurther vocal scores / 24 pagesalto flute; violoncello / 4 pages
Humperdinck EngelbertEvening blessing from the opera "Hansel and Gretelfor 4-part choir a capella(ad lib. with accompaniment of a small orchestra)Arranged by Franz KreuzlingerEngelbert Humperdinck's "Abendsegen" from the fairy tale opera "Hänsel und Gretel" is certainly one of the most popular works, not only during the Christmas season. Franz Kreuzlinger succeeded in transferring the original version into a four-part, easily executable choral setting without having to greatly reduce the rich harmonies and fine counterpoint.The new version can be performed by a choir a capella or with the accompaniment of a small orchestra.The version is particularly suitable for use in youth, amateur or school orchestras.
See also on YouTube: Franz Kreuzlinger
choral score / 2 pages // score / 5 pages // parts / 11 pagesOne score, one set of parts and 16 choral scores are supplied.Please order additional choral scores separately
J.S. Bach / Charles GounodAve Mariafor soprano, female choir and harp / pianoThe famous Ave Maria von Bach / Gounod here in an attractive version for solo soprano, female choir and harp / piano. The heavenly melody that Gounod invented for the prelude by Bach sounds twice as in the original Gounod and is accompanied the second time by a finely arranged choral setting for female choir. Not least because of Benjamin Britten's “Ceremony of Carols”, the female choir and piano line-up is not only very popular in Christmas concerts.Score, Harp and 12x choir / 109 pages
Additional choir / 8 pages
Kemper KarlPastoral mass in Gfor three singers or female choir, violin and guitarKarl Kempter's famous Pastoral Mass in G major is now available for the first time in a chamber music version for three-part (or female choir), violin and guitar. This arrangement, which is in the tradition of farmers' fairs, underlines the intimate character of the highly popular fair, as one might imagine it at a mountain Christmas.The arranger expressly suggests a performance by means of room music, which, depending on the line-up, should complement the two instrumental parts or can also play alternately.Edited by Franz Kreuzlinger3 choral scores, score, set of parts / 100 pagesChoir part / 22 pages
Kreuzlinger Franz
Psalm 121
For choir and organ
The setting of Psalm 121 is part of a German Mass proprium based on psalm texts. The choir spreads out a canon structure via a constantly repeating chord in the organ.
Despite its contrapuntal demands, the setting can also be easily implemented for amateur choirs.
Choral score / 4 pages / minimum purchase 16 parts
Kreuzlinger FranzSpaß-O-dienFor choirThis collection of shoddy Gaudi songs was created once for a social singing at a birthday party. The three evergreens are complemented by a witty new setting of the Ringelnatz poem.
Choral score / 7 pages / minimum purchase 16 parts
Kreuzlinger Franz Auf nach Bethlehem!Advent melodiesfor male quartetIn the Alpine region, there was a tradition of moving the Christmas story, which in the Bible is clearly located in the Middle East, to the local mountain landscape. The three Advent songs ("Rorate", "Es hat der Kaiser Augustus" as well as "Geh' Hanserl pack' dei Binggerl z'samm") therefore speak of ice and snow or of the clarified butter that the shepherds are supposed to take with them on their journey to the Savior Child.The songs have been transcribed as faithfully as possible and arranged for male quartet and male choir. The key can be adjusted up or down as needed.4x Choral score / 4 x 3 pages
Kreuzlinger FranzAll in honor of my GodFor choir a capellaThe canon intonation can be sung as a solemn intonation to praise "Everything to honor my God". In addition, the edition contains an overvote to the 3rd stanza, which can also be performed in four parts without an organ.Choral score / 3 pages / minimum purchase 16 parts
Kreuzlinger FranzGerman measurement propriumfor choir (SATB), congregation (ad lib.), trombone, harp, percussion, dulcimer and organThe German Mass Proprium based on psalm texts was mainly created in 2008 and is seen by its composer as a major compositional work. The very cast of the instrumental ensemble that gathers the biblical instruments of praise gives the work its very own touch. Never leaving the tonality entirely, the work does not deny the alpine origins of its creator, which is partly reminiscent of Carl Orff, partly of Arthur Honegger.The delightful choral part can also be easily performed by ambitious amateur choirs.
Sophrane, alto, tenor, bass, trombone, dulcimer, harp, timpani, crotales, musical spoons, organ
See also on YouTube: Franz Kreuzlinger
Score and parts & 16 choral scores / 385 pages
Kreuzlinger FranzMissa sempliceFor male choir and organThe “Missa semplice”, created in 2020, is written in a moderately modern tonal language and is both a novel and catchy interpretation of the traditional Latin mass. While the corner sacks “Kyrie eleison” and “Agnus Dei” refer to Mozart (a counterfacture to one of his psalm settings) and the chorale “O Lamm Gottes”, one believes that the influence of Carl Orff can be heard in the repetitions. The Credo sounds impressively unanimously throughout with a melody line that goes through the circle of fifths.
Tenor, bass, organ
Singing and playing score / 22 pages / minimum purchase: 10 copies.
€10.00*
This website uses cookies to ensure the best experience possible. More information...
