Bachschmidt, Anton AdamConcerto in C majorfor oboe, 2 clarinet trumpets, 2 violins, viola and bassNew edition after the original in the court library Thurn-und Taxis Regensburg; call number Bachschmidt 25score & 7 parts / 71 pages

Boccherini, LuigiSinfonia Concertanteauch: „Notturno“ oder „Oktett“G-Dur, op. 38/4; G 470  (1787)Praktische Neuausgabe nach der Erstausgabe: « Simphonie Concertante / à huit instruments obligé /pour deux violons, deux violoncelles, alto, oboe ou flûte, cor et basson / par L. Boccherini / op: 41 - prix 6 Fr  -  à Paris, chez Pleyel, auteur rue Neuve des Petits Champs .. »   PN 140,  c1798 für Oboe (Flöte), Horn & Fagott, 2 Violinen, Viola, 2 Violoncelli oder Violoncello & Basso (Arr.)Partitur & 9 Stimmen/ 79 Seiten  

Johann Friedrich FaschConcerto in G majorfor 2 oboes, bassoon, violin solo, 2 violins rip., viola and basso continuo (FWV L: G 5)New edition after the original in the Landesbibliothek Mecklenburg-Vorpommern Günther Uecker Schwerin, Signatur: Mus 1794score & 8 parts / 62 pages

Guise Jean François deOctetfor percussion ensembleop. 23, no. 6 (2018)A mixture of the ancient Japanese drum tradition and tone sequences of European contemporary percussion works seems at first glance to be of a contradictory nature. After all, the taiko drums were used to mentally wear down the opponent of the samurai and on the other hand to send their own fighters into a bloodlust.On the other hand, the European percussion culture has developed, especially in the last 20 years, into a classical concert form of its own, in which it is also shown that color mixtures are possible that almost create real tone sequences.The piece "Octet for percussion ensemble, op.23, no.6 (2018)" by Jean François de Guise, begins with martial motifs, which he then gradually infiltrates with European influences. Even when there is another attempt to establish the war theme, it quickly takes on a dance-like character, but without losing its power.Both cultures mix and make one forget that there are hardly any real tone sequences to be heard, but that everything is composed of rhythm, instrumental colors and percussion techniques.The fact that at the end of the piece the "war equipment" is used once again, however, is not perceived by the listener as a fight, but as a really powerful end of an interesting development.percussion, taiko drum, xylophone, marimba, vibraphonescore & 8 parts / 59 pages

Erdmann Otto Carl Symphony in D majorfor 2 oboes, 2 horns, 2 violins, viola and bassop. 1,1Score & parts / 53 pages

George Philipp TelemannOverture in G majorTWV 55: G 7for 2 oboes, violin conc., 2 violins, 2 violas and basso continuoNew edition after the original in the music collection of the technical university Darmstadt Signature: 1034/63score & 8 parts / 100 pages

Thieme, ClemensSonata à 8, F-Dur (~1650) –Arrangement für Streichquartett, vier Fagotte & Kontrabass ad lib.2 Vl, Va, Vc, 4 Fag, Kb.Partitur & 9 Stimmen / 33 Seiten

Thieme, ClemensSonata à 8, F major (~1650)Original score for four violas, four bassoons and basso continuo with the original clefs4 Va, 4 Fag, Kb.Score and 9 parts / 33 pages  

Thieriot, FerdinandOktett für Bläser und Streicher, B-Dur, opus 62, (~1893)für Klarinette (B), Horn (F&E), Fagott, zwei Violinen, Viola, Violoncello & KontrabassPraktische Neuausgabe nach der Erstausgabe « Octett (in B dur) für zwei Violinen, Bratsche, Violoncello, Contrabass, Clarinette, Horn und Fagott / componiert von / Ferdinand Thieriot» (Leipzig : J. Rieter-Biedermann, c1893), VN 1866Partitur & 8 Stimmen / 182 SeitenPartitur / 84 Seiten8 Stimmen / 96 Seiten