Amon, Johann AndreasDrei Bläserquartette, in C-Dur, F-Dur, B-Dur, op. 92 (1828)«Trois quatuors concertans pour Hautbois, Violon, Alto & Violoncelle... La partie du hautbois peut être remplacée par une flûte ou un violon.» –Reprint der Ausgabe:  Bonn et Cologne : chez N. Simrock, PN 2337, c1828Oboe/Flöte/Violine, Vl2, Va, Vc5 Stimmen  / 64 Seiten

Guise Jean François deAria: Bist du bei mir(original for voice and piano) - BWV 502for voice, organ and trumpetarranged by Jean François de GuiseJean François de Guise was commissioned to make an arrangement of the aria: "Bist du bei mir" by Johann Sebastian Bach.  The original work is from the "Notenbüchlein für Anna Magdalena Bach" and bears the number BWV 508.In Bach's oeuvre there are numerous pieces that he created for organ and trumpet. Especially his chorale preludes belong to the repertoire of every serious musician for trumpet players until today. Likewise, the instrumentation of voice and organ, well established in the worship service, and always proves grateful.That singing, trumpet and orchestra also work in church music is known to everyone who has heard, for example, the famous aria "Großer Herr und starker König" from the Christmas Oratorio or the solo cantata "Jauchzet Gott in allen Landen".It was also from these experiences that the piece presented here was commissioned for Eternity Sunday.In order to make performances possible even in a small ensemble, Jean François de Guise decided to create an arrangement for voice, trumpet and organ.He not only added a solo part for the trumpet here, but also incorporated an interlude that does not appear in the original. This makes the piece a real little solo aria.Since most trumpeters today play on the German concert trumpet in Bb, this was the first choice for the score and as a single part in the edition. However, in order to give musicians who prefer the C notation the opportunity to play the work, a C part is also included in the edition. This can then be used equally for the piccolo trumpet.voice, 2 trumpets, organscore and 4 parts / 27 pages

Dotzauer, Justus Johann FriedrichOboen-Quartett, F-Dur, op. 37 (1815) – «Quatuor pour le hautbois, violon, viola et violoncelle, oeuv. 37» – Reprint der Ausgabe:  Leipzig : Breitkopf & Härtel, PN 2090, c1815Oboe, Vl, Va, Vc4 Stimmen / 32 Seiten

Johann Friedrich Fasch Sonate d-Mollfür 2 Oboen, Fagott und Basso Continuo  (FWV N: d 2) Neuausgabe nach der autographen Partitur in der Musiksammlung der technischen Universität Darmstadt Signatur 297/5 und einem handschriftlichen Stimmensatz in der Bibliothek des Schlosses Arnsberg-Herdringen Signatur: 3635a/3636a in Fü..   Partitur & 4 Stimmen / 32 Seiten

Johann Friedrich Fasch Sonate F-Dur für Oboe, Violine, Fagott und Basso Continuo (FWV N: F 4) Neuausgabe nach der Vorlage einer Partiturabschrift in der Musiksammlung der technischen Universität Darmstadt. Signatur: 297/3.  Partitur & 4 Stimmen / 32 Seiten

Guise Jean François deComposition for four instrumentsop. 13, No. 17Jean Francois de Guise was born on May 15th, 1970. He received his first musical lessons in 1976 in the subject of recorder. From 1977 the trumpet became his main instrument, to which the subjects music theory, composition, piano and organ as well as the subjects conducting and singing were added over the next few years. From 1991 to 1996 he studied in Paris, among other places.His teachers included, for example, Jean Langlais, Sergiu Celebidache and Rolf Reuter. De Guise was particularly influenced in the composition by the American composer Elliott Carter.For many years he worked as a solo trumpeter and conductor with well-known orchestras before he devoted himself almost exclusively to composition and teaching.The compositional oeuvre de Guise ‘comprises around 450 works, including 4 operas and 32 orchestral concerts. Fl, Klar, Vl, VcScore & parts / 33 pages

Guise Jean François deQuartet for Flute and String Trioop. 13, No. 9 Jean Francois de Guise was born on May 15th, 1970. He received his first musical lessons in 1976 in the subject of recorder. From 1977 the trumpet became his main instrument, to which the subjects music theory, composition, piano and organ as well as the subjects conducting and singing were added over the next few years. From 1991 to 1996 he studied in Paris, among other places.His teachers included, for example, Jean Langlais, Sergiu Celebidache and Rolf Reuter. De Guise was particularly influenced in the composition by the American composer Elliott Carter.For many years he worked as a solo trumpeter and conductor with well-known orchestras before he devoted himself almost exclusively to composition and teaching.The compositional oeuvre de Guise ‘comprises around 450 works, including 4 operas and 32 orchestral concerts. Fl, Va, Vl, VcScore & parts / 39 pages

Guise Jean François deFloating movementsOp. 13, No. 13Jean Francois de Guise was born on May 15th, 1970. He received his first musical lessons in 1976 in the subject of recorder. From 1977 the trumpet became his main instrument, to which the subjects music theory, composition, piano and organ as well as the subjects conducting and singing were added over the next few years. From 1991 to 1996 he studied in Paris, among other places.His teachers included, for example, Jean Langlais, Sergiu Celebidache and Rolf Reuter. De Guise was particularly influenced in the composition by the American composer Elliott Carter.For many years he worked as a solo trumpeter and conductor with well-known orchestras before he devoted himself almost exclusively to composition and teaching.The compositional oeuvre de Guise ‘comprises around 450 works, including 4 operas and 32 orchestral concerts. Flute, bass clarinet in bb, vl, vcScore and 4 parts / 24 pages

Guise Jean François deOboe quartetfor oboe, violin, viola and violoncelloop. 13, No. 6Jean Francois de Guise was born on May 15th, 1970. He received his first musical lessons in 1976 in the subject of recorder. From 1977 the trumpet became his main instrument, to which the subjects music theory, composition, piano and organ as well as the subjects conducting and singing were added over the next few years. From 1991 to 1996 he studied in Paris, among other places.His teachers included, for example, Jean Langlais, Sergiu Celebidache and Rolf Reuter. De Guise was particularly influenced in the composition by the American composer Elliott Carter.For many years he worked as a solo trumpeter and conductor with well-known orchestras before he devoted himself almost exclusively to composition and teaching.The compositional oeuvre de Guise ‘comprises around 450 works, including 4 operas and 32 orchestral concerts.Oboe, vl, va, vcScore & 4 parts / 42 pages

Guise Jean François deQuartetto della chiarezza sfacciataper flauto, violino, viola e celloop. 13, No. 4Jean Francois de Guise was born on May 15th, 1970. He received his first musical lessons in 1976 in the subject of recorder. From 1977 the trumpet became his main instrument, to which the subjects music theory, composition, piano and organ as well as the subjects conducting and singing were added over the next few years. From 1991 to 1996 he studied in Paris, among other places.His teachers included, for example, Jean Langlais, Sergiu Celebidache and Rolf Reuter. De Guise was particularly influenced in the composition by the American composer Elliott Carter.For many years he worked as a solo trumpeter and conductor with well-known orchestras before he devoted himself almost exclusively to composition and teaching.The compositional oeuvre de Guise ‘comprises around 450 works, including 4 operas and 32 orchestral concerts.Flute, violin, viola, celloScore & 4 parts / 26 pages

Malzat Ignaz Quartet No. 1 in F major for bassoon, violin, viola and violoncello New edition based on the original in the Library of Prussian Cultural Heritage, Berlin. Signature 13420/3. Score & 4 parts / 71 pages

Malzat IgnazQuartet No. 1 in F major for bassoon, violin, viola and violoncello New edition based on the original in the Library of Prussian Cultural Heritage, Berlin. Signature 13420/3. Score & 4 parts / 71 pages

Malzat Ignaz Quartet No. 2 in F major for bassoon, violin, viola and violoncello New edition based on the original in the Library of Prussian Cultural Heritage, Berlin. Signature 13420/2. Score & 4 parts / 47 pages