Bach, Johann SebastianSinfoniaon the council election cantata "We thank you, God, we thank you" (BWV 29)for piano four handsEdited by Franz KreuzlingerAbout the work: The present arrangement transcribes the touching opening sentence of the cantata “We thank you, God, we thank you”, which in turn is an adaptation of the Preludio of the E major Partita BWV 1006 for piano four hands. The result is a piece that is both solemn and virtuoso, which lets Bach's timeless music shine on a modern grand piano.Piano for four handsPerforming score / 12 pages
Bach, Johann SebastianSuiten für Violoncello Solo – Volume I
Suite Nr. I. G-durSuite Nr. II. d-MollSuite Nr. III. C-Dur
Modifications made by Richard Klemm
Score / 50 Pages
During his cello lessons in the academy or at home our father Richard Klemm usually accompanied his students either on the piano or with the cello. This applies to all kind of cello music, including the big cello concertos as well as chamber music.
Bach, Johann Sebastian
Suiten für Violoncello Solo – Band II
Suite No. IV. E flat majorSuite No.V in C minorSuite No. VI. D major
Modifications made by Richard Klemm
Score / 60 Pages
During his cello lessons in the academy or at home our father Richard Klemm usually accompanied his students either on the piano or with the cello. This applies to all kind of cello music, including the big cello concertos as well as chamber music.
Camille Saint-SaënsLe Carnaval Des Animauxarrangement for pianooriginally for orchestra and two pianosarranged by Michael SchorchtV. L'EléphantVII. aquariumX. VoliéreXIII Le Cygne Piano / 11 pages
Ebenhöh, Horst
Atemstücke für Klarinette solo in A op. 104, 1 a-d
Partitur / 6 Seiten
schwer - Spieldauer ca. 8 Minuten.
„ATEMLOS“ – Affanato /„LANGER ATEM“ – Allegretto / Bindungen über mehrere Takte: hier kann der Ausführende beweisen, dass er eine optimale Atemtechnik besitzt./ RUHIGEN ATEMS“ – Adagio bis Andante möglich, mit zahlreichen Viertelton-Glissandis nach oben / „KURZER ATEM“ – Allegro Ein vitales Stück mit „tiefsten Tönen“ (in der Mitte) und „höchsten“ (am Schluss). Und vielen Pausen, die den Eindruck der Kurzatmigkeit vermitteln.
Ebenhöh, HorstCycle for HarpsichordC major op. 51,3<heavy> 19 minutesAllegretto - Andante, molto moderato -Allegro - Moderato - Allegretto - Vivo-VivaceA concert work composed "tonally" for the harpsichord. The composer does not wish any interpretation on the piano.24 pages
Ebenhöh, Horst
Extrakt für Violoncello solo op. 66, 2
Das im Jahr 1985 geschriebene “Konzert für Violoncello und kleines Orchester wurde 1988 von Ricardo Bru in einem Konzert im Großen Sendesaal des ORF öffentlich uraufgeführt. Die Darbietung gelang hervorragend, sodass der Mitschnitt wie eine Produktionsaufnahme gewertet werden konnte und auch ein Teil der ORF-CD „edition zeitton“ (Nr. 250) geworden ist.
Im Auszug („Extrakt“) für Solocello, op. 66, 2 wird Musik aus dem ersten Satz des Violoncellokonzertes op. 66 vorgestellt, formatisiert auf Solocello, wobei die ersten Dutzend Takte unverändert, d.h. ident sind mit der originalen Solostimme. Der Beginn liegt in der sonoren tiefen Lage, der Mittelteil bietet mehr Bewegung und bedient auch die hohen Lagen des Instruments. Am Ende blendet die Musik - pizzicato - langsam aus, nicht ohne durch ein unüberhörbares sforzato den Schlusspunkt zu setzen.
Partitur A4 / 3 Seiten
Ebenhöh, HorstFour Bagatelles for Clarinet E flat soloop. 104,4<Difficult> ca. 8 minutes U: 2007 Vienna CD "Klarinettenklang CD".Moderato - Presto scherzando - Poco adagio, tranquillo - AllegroVaried solo pieces for clarinet in E-flat.Voice / 7 pagesPresentation of all registers of the E-flat clarinetModerato: Bagatelle with great contrasts. Presto scherzando: Minischerzo with short and simple "trio". After the repetition 5 bars coda and ending without ritardando. Poco adagio, tranquillo: With long notes given time to develop and to trace subtle differences in volume. Allegro: For this movement, parts of the solo part of the Clarinet Concerto op.94 (from its first movement) were used. The "Intermezzo for bass clarinet solo op. 104, 5" also resembles this Allegro in notated form over large parts and is suitable for tonal comparisons between E-flat and bass clarinet.
Ebenhöh, HorstIntermezzo for bass clarinet soloop. 104, 5<difficult> single movement / 2-3 minutes U: 2007 ViennaSolo piece for study and concert. Based on parts of the 1st movement from the Clarinet Concerto op.94, but not identical with it (compare also the 4th piece - Allegro - from op.104, 3!).Part / 2 pagesWithout own tempo indication. The "Intermezzo" can be performed rhapsodically, although the thrusting sixteenth-note sequences from the beginning and end must be considered rhythmically exact notation. They can be found again (extending over 17 bars) in the 4th part of the "Bagatelles for Clarinet in E-flat solo (op. 104/, ) and are also based on the solo part of the 1st movement of the Clarinet Concerto op. 94. The most serious difficulties occur in the - mostly tied - duodecimal leaps. Instruments with a "bass key" probably have a somewhat easier time achieving a satisfactory result in the duodecimal passages. As one can hear on the present CD: it succeeds even without the mentioned "octave flap". In this piece, the bass clarinet and its player show much success in what had initially been considered unfeasible.
Ebenhöh, HorstInventionen für Kontrabass op. 27,2
Für Kontrabass in Solostimmung. schwer
Vivace - Lento - Vivace corrente leggiero - Poco adagio - Presto risoluto
Die frühe Opuszahl des 2001 entstandenen Werkes wird an Stelle eines verschollenen Werkes „Inventionen für Kontrabass und Klavier“ verwendet, der Komponist beließ die einstige Bezeichnung „Inventionen“, formal kann man das kurzweilige Werk auch als Sonatine ansehen. Angeregt wurde die Kompositionen vom amerikanischen Kontrabassisten James Rapport.
Stimme / 10 Seiten
Ebenhöh, HorstVariations in the old style on a theme by Franz Schubert op. 2a
<very difficult> 11 minutes, U: 1952 Vienna
The theme from the German dances is varied in many ways. At the end of the tonal, technically difficult work, motifs from several variations come together and prepare a thematic conclusion in the spirit of Schubert.
Piano solo
19 pages
Ebenhöh, HorstOld Style Variations on a Theme by Franz Schubert
for piano 4 hands op. 2b
medium difficult 11 minutes U: 1988 Vienna
This is the easier four-handed version of the work of the same name for two hands.
The theme from the German dances is varied in many ways. At the end of the tonal work, motifs from several variations come together and prepare a thematic conclusion in the spirit of Schubert.
Piano solo
Score / 28 pages
Ebenhöh, Horst„Phyleus“ – Solo für Englischhorn oder Oboe, op. 14 a<ms> 5 Minuten U: 2000 WienEine kurze Passage, der Person des Phyleus zugeeignet, für Englischhorn solo aus dem szenischen Werk „HERKULES“ nach Friedrich Dürrenmatt.Partitur / 2 Seiten
Ebenhöh, HorstSonatina for piano, op. 2c<difficult> 10 minutes, U: 1955 ViennaModerato, Andante moderato, AllegroAn entertaining tonal composition with relatively high technical demands.VIENNA NEWSPAPER, FEB. 6, 1955:The first (Ebenhöh) is a linearicus, motoricus of purest water. In his Sonatina for piano, mostly only two voices cavort carelessly through the tonal space, allegro molto grotesco, the right does not care about the left, the composer leaves them complete freedom of movement. A few times the movement condenses into hard accents, both hands quite far apart, in the lowest bass and highest treble. A funny, almost entertaining piece for listeners who like to do without key, euphony, expression and would like to know once again what one can do with tones also outside of "overcome" tradition... (Joseph Marx)score / 17 pages
Guise Jean François deemotional lines for double bassop. 29, No. 9Jean Francois de Guise was born on May 15th, 1970. He received his first musical lessons in 1976 in the subject of recorder. From 1977 the trumpet became his main instrument, to which the subjects music theory, composition, piano and organ as well as the subjects conducting and singing were added over the next few years. From 1991 to 1996 he studied in Paris, among other places.His teachers include, for example, Jean Langlais, Sergiu Celebidache and Rolf Reuter. De Guise exerts particular influence on the composition from the American composer Elliott Carter.For many years he worked as a solo trumpeter and conductor with well-known orchestras before he devoted himself almost exclusively to composition and teaching.The compositional oeuvre de Guise ‘comprises around 450 works, including 4 operas and 32 orchestral concerts.double bassPart / 2 pages
Tigranoff, NikolausOriental Melodies Op. 5
Oriental melodies arranged and set to music, Op. 5. Heidari (Persian Fantasy). Dedicated to his dear brother Gregor... [Piano]. Alexandropol, self-published (no date) [ca. 1865]
Piano / 6 pages
Tigranoff, NikolausThe Persian Muchgámen Op. 8
Tigranoff Nikolaus (1839-1899): Die persische Muchgámen (Muchgammiátten) und Diasgiáen - arranged and set to music by Nikolaus Tigranoff - Tscharghláh. op. 8 diasgia II-te Ausgabe Publisher: St. Petersburg: Muzgiz, 1928.
Piano / 14 pages
Tigranoff, NikolausFolk songs and dances Op. 1
Trans-Caucasian Folk Songs and Dances
Publisher: Moscow: P. Jurgenson, n.d.(ca.1869-70). Plate 617
Piano / 15 pages
Tigranoff, NikolausBaiathi-Khurd Op. 2
Elegy Kurtaine
Tigranoff Nikolaus (1839-1899): Baiathi-Khourde, Op. 2... Élégie Kurtaine. Dedicated to his paternal friend Agamal Melik-Agamaloff with the highest appreciation and veneration... [Piano]. II. Edition. Alexandropol, self-published (no date) [ca. 1870].
Piano / 12 pages
Tigranoff, NikolausBaiathi-Shiraz Op. 3
Élegie de Shiraz
Tigranoff Nikolaus (1839-1899): Élegie de Shiraz, arranged and set to music for piano, Op. 3... Dedicated to his dearly beloved brother Joseph. 2nd edition. Alexandrapol (Caucasus), self-published (V.Nr. 3) [ca. 1870].
Piano / 8 pages
Zezilius, Robert M."Invincibly Strong Hero, St. Michael"for bass clarinet soloIn the style of baroque chorale partitas, this work for bass clarinet solo varies the hymn "Starker Held, St. Michael" in five short sections; in doing so, the traditional melody is carefully transferred into modernity through variable rhythms and a very free tonality.Playing score / 3 pages
€8.00*
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