Bach, Johann SebastianSinfoniaon the council election cantata "We thank you, God, we thank you" (BWV 29)for piano four handsEdited by Franz KreuzlingerAbout the work: The present arrangement transcribes the touching opening sentence of the cantata “We thank you, God, we thank you”, which in turn is an adaptation of the Preludio of the E major Partita BWV 1006 for piano four hands. The result is a piece that is both solemn and virtuoso, which lets Bach's timeless music shine on a modern grand piano.Piano for four handsPerforming score / 12 pages
Camille Saint-SaënsLe Carnaval Des Animauxarrangement for pianooriginally for orchestra and two pianosarranged by Michael SchorchtV. L'EléphantVII. aquariumX. VoliéreXIII Le Cygne Piano / 11 pages
Ebenhöh, HorstVariations in the old style on a theme by Franz Schubert op. 2a
<very difficult> 11 minutes, U: 1952 Vienna
The theme from the German dances is varied in many ways. At the end of the tonal, technically difficult work, motifs from several variations come together and prepare a thematic conclusion in the spirit of Schubert.
Piano solo
19 pages
Ebenhöh, HorstOld Style Variations on a Theme by Franz Schubert
for piano 4 hands op. 2b
medium difficult 11 minutes U: 1988 Vienna
This is the easier four-handed version of the work of the same name for two hands.
The theme from the German dances is varied in many ways. At the end of the tonal work, motifs from several variations come together and prepare a thematic conclusion in the spirit of Schubert.
Piano solo
Score / 28 pages
Ebenhöh, HorstSonatina for piano, op. 2c<difficult> 10 minutes, U: 1955 ViennaModerato, Andante moderato, AllegroAn entertaining tonal composition with relatively high technical demands.VIENNA NEWSPAPER, FEB. 6, 1955:The first (Ebenhöh) is a linearicus, motoricus of purest water. In his Sonatina for piano, mostly only two voices cavort carelessly through the tonal space, allegro molto grotesco, the right does not care about the left, the composer leaves them complete freedom of movement. A few times the movement condenses into hard accents, both hands quite far apart, in the lowest bass and highest treble. A funny, almost entertaining piece for listeners who like to do without key, euphony, expression and would like to know once again what one can do with tones also outside of "overcome" tradition... (Joseph Marx)score / 17 pages
Tigranoff, NikolausOriental Melodies Op. 5
Oriental melodies arranged and set to music, Op. 5. Heidari (Persian Fantasy). Dedicated to his dear brother Gregor... [Piano]. Alexandropol, self-published (no date) [ca. 1865]
Piano / 6 pages
Tigranoff, NikolausThe Persian Muchgámen Op. 8
Tigranoff Nikolaus (1839-1899): Die persische Muchgámen (Muchgammiátten) und Diasgiáen - arranged and set to music by Nikolaus Tigranoff - Tscharghláh. op. 8 diasgia II-te Ausgabe Publisher: St. Petersburg: Muzgiz, 1928.
Piano / 14 pages
Tigranoff, NikolausFolk songs and dances Op. 1
Trans-Caucasian Folk Songs and Dances
Publisher: Moscow: P. Jurgenson, n.d.(ca.1869-70). Plate 617
Piano / 15 pages
Tigranoff, NikolausBaiathi-Khurd Op. 2
Elegy Kurtaine
Tigranoff Nikolaus (1839-1899): Baiathi-Khourde, Op. 2... Élégie Kurtaine. Dedicated to his paternal friend Agamal Melik-Agamaloff with the highest appreciation and veneration... [Piano]. II. Edition. Alexandropol, self-published (no date) [ca. 1870].
Piano / 12 pages
Tigranoff, NikolausBaiathi-Shiraz Op. 3
Élegie de Shiraz
Tigranoff Nikolaus (1839-1899): Élegie de Shiraz, arranged and set to music for piano, Op. 3... Dedicated to his dearly beloved brother Joseph. 2nd edition. Alexandrapol (Caucasus), self-published (V.Nr. 3) [ca. 1870].
Piano / 8 pages
€10.00*
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