Baustetter, Johann Konrad6 sonatasfor oboe, violin and basso continuo op. 1Volume I: Sonatas No. 1 in G major and No. 2 in A minorJohann Konrad Baustetter was a Dutch organist who was director of the court chapel of Prince Salm-Salm in Anholt Castle near Isselburg between 1724 and 1726. During this time he had the trio sonatas presented here printed by "Michel Charles Le Cene" in Amsterdam.score & 3 parts / 55 pagesTranslated with www.DeepL.com/Translator (free version)

Baustetter, Johann Konrad6 sonatasfor oboe, violin and basso continuo op. 1Volume II:Sonatas No. 3 in B flat major and No. 4 in C minorNew edition after the original in the Swedish University Library Uppsala Signature: Carolina Rediviva Leutra Mus.tr.9score & 3 parts / 73 pages

Baustetter, Johann Konrad6 sonatasfor oboe, violin and basso continuo op. 1Volume III:Sonatas No. 5 in D major and No. 6 in E minorNew edition after the original in the Swedish University Library Uppsala Signature: Carolina Rediviva Leutra Mus.tr.9score & 3 parts / 62 pages

Del Signore Croeber 18. JhdtSonate G-Dur per Flaute Traversiere, Violino et BassoTrio für Flöte, Violine und Basso Violoncello (original) oder Kontrabass (Arr.)Erstausgabe nach einer Handschrift der Gräflichen von Schönborn´schen Musikbibliothek, als Mikrofilm nachgewiesen beim Deutschen Musikgeschichtlichen Archiv (DMA) in Kassel, Germany. Titelblatt der Vorlage: “Del Signore Croeber / Flaute Traversiere, Violino et Basso / Ex libris comitum de Fürstenberg Herdringen”Partitur & 4 Stimmen / 40 Seiten

Graun Johann GottliebSonata in D majorfor 2 flutes or flute and violin and basso continuoNew edition based on the template of the Saxon State and University Library in Dresden. Signature: Mus. 2474-Q-10.Score & 4 parts / 43 pages

Guise Jean François deBarzelletta per flauto, contrabbasso e pianoforteop. 25, No. 5Barzelletta, joke or something not to be taken seriously, if a piece is named like that, it can only be musical fun.In fact, the line-up is already unusual, even though the three instruments complement each other perfectly and offer exciting possibilities.Ingo Burghausen, principal double bass player of the Anhaltische Philharmonie, commissioned Jean François de Guise in 2008 to compose something for this line-up.The piece begins very agile and rhythmically fast. You immediately notice that everything is really meant to be a joke. In the middle section, however, it becomes quieter and Jean François de Guise strikes a different note. Almost melancholy he lets it begin in chords on the piano before the double bass begins to play with a very vocal passage. If the flute is added, the picture of a “canzonette” is completed. As soon as you have settled in while listening, the theme breaks loose from the beginning and brings the work to its end just as vividly that, as is typical for the composer, ends with a soft, sonorous finish.Flute, double bass, pianoScore & 2 parts / 13 pages

Guise Jean François deCon leggera malinconiaTrio per oboe, fagotto e pianoforteop. 25, No. 14 (2014)In the trio “Con leggera malinconia” (With a slight melancholy) from 2014, Jean François de Guise consistently presents his understanding of the relationship between sound, rhythm and internal musical construction.The fact that the composer seems to remain “below the norm” at least temporarily with a playing time of 3:20 minutes is only due to the fact that he immediately gets to the point of all musical and compositional ideas, one can even say that he remains uncompromisingly objective. Yet there is a real flow of thoughts and feelings.Melancholic, but not sad, interesting and exciting, without becoming intrusive, that's how the piece can be briefly described.What is even more important, however, is that he manages to arouse interest in “contemporary music” with this work, without it being “softened” in terms of sound.Oboe, bassoon, pianoPiano score & 2 parts / 15 pages

Guise Jean François deTrialogue for Flute, Viola and Bassoonop. 25, No. 19Jean Francois de Guise was born on May 15th, 1970. He received his first musical lessons in 1976 in the subject of recorder. From 1977 the trumpet became his main instrument, to which the subjects music theory, composition, piano and organ as well as the subjects conducting and singing were added over the next few years. From 1991 to 1996 he studied in Paris, among other places.His teachers included, for example, Jean Langlais, Sergiu Celebidache and Rolf Reuter. De Guise was particularly influenced in the composition by the American composer Elliott Carter.For many years he worked as a solo trumpeter and conductor with well-known orchestras before he devoted himself almost exclusively to composition and teaching.The compositional oeuvre de Guise ‘comprises around 450 works, including 4 operas and 32 orchestral concerts.Fl, Va, FagScore & parts / 33 pages

Guise Jean François deTrio (2009) for alto flute, cor anglais and violaop. 25, No. 6A trio that can only be composed with instruments from the old register presupposes that the composer either knows an ensemble that performs in this line-up, or that he has a tone color in mind for the piece that should sound warm and meditative.Jean François de Guise superficially fires the assumption of the sound variant, but shows that with a few, targeted effects, points of tension can be created again and again, which make the piece really interesting chamber music and ultimately do not miss the soprano and bass instruments.In this way, he uses the entire bandwidth (range) that the instruments have to offer and lets them confer in contrapuntal.Alto flute, English horn, violaScore & 2 parts / 17 pages

Guise Jean François deTrio for Flute, Viola and CelloOp. 25, no. 15 Jean Francois de Guise was born on May 15th, 1970. He received his first musical lessons in 1976 in the subject of recorder. From 1977 the trumpet became his main instrument, to which the subjects music theory, composition, piano and organ as well as the subjects conducting and singing were added over the next few years. From 1991 to 1996 he studied in Paris, among other places.His teachers included, for example, Jean Langlais, Sergiu Celebidache and Rolf Reuter. De Guise was particularly influenced in the composition by the American composer Elliott Carter.For many years he worked as a solo trumpeter and conductor with well-known orchestras before he devoted himself almost exclusively to composition and teaching.The compositional oeuvre de Guise ‘comprises around 450 works, including 4 operas and 32 orchestral concerts. Flute, Viola and CelloScore and parts / 24 pages

Guise Jean François deTrio for Flute, Violin and Celloop. 25, No. 28Jean Francois de Guise was born on May 15th, 1970. He received his first musical lessons in 1976 in the subject of recorder. From 1977 the trumpet became his main instrument, to which the subjects music theory, composition, piano and organ as well as the subjects conducting and singing were added over the next few years. From 1991 to 1996 he studied in Paris, among other places.His teachers included, for example, Jean Langlais, Sergiu Celebidache and Rolf Reuter. De Guise was particularly influenced in the composition by the American composer Elliott Carter.For many years he worked as a solo trumpeter and conductor with well-known orchestras before he devoted himself almost exclusively to composition and teaching.The compositional oeuvre de Guise ‘comprises around 450 works, including 4 operas and 32 orchestral concerts.Fl, Vl, VcScore & 3 parts / 54 pages

Kölbel, M.Trio for clarinet, horn and bass New edition after the original in the music department of the technical university Darmstadt Signatur 1181. Score & 3 parts / 14 pages

Stricker, Augustin FerdinandTrio Sonata in D majorfor oboe, violin and basso continuoNew edition according to the template in theSaxon State and University Library Dresden. Signature: Mus. 2139-Q-1bScore & 3 parts / 16 pages

Georg Philipp Telemann Concerto F-Dur (TWV 54: F 2) für Oboe, Violine und Basso Continuo Neuausgabe nach der Vorlage aus der Musiksammlung der technischen Universität Darmstadt Signatur: 1033/65 Partitur & 3 Stimmen / 17 Seiten