Zezilius, Robert M."Invincibly Strong Hero, St. Michael"for bass clarinet soloIn the style of baroque chorale partitas, this work for bass clarinet solo varies the hymn "Starker Held, St. Michael" in five short sections; in doing so, the traditional melody is carefully transferred into modernity through variable rhythms and a very free tonality.Playing score / 3 pages
Zezilius, Robert M.Chorale in tempore bellifor organCommissioned by the church musician Simon Probst from Fürstenfeldbruck, this chorale without words was composed in March 2020. It quotes the Gregorian chorale "Da pacem, Domine" as an almost buried cantus firmus and makes it seem like a memorial for peace.Playing score / 2 pages
Zezilius, Robert M.Die Gedanken sind freifor choir a capellaHardly any folk song is as timeless as the song “The thoughts are free”, which was probably published shortly before the French Revolution. In the spirit of the late romantic chorus motets, this thoroughly composed movement was created by Robert M. Zezilius, who in all stanzas is closely based on the content of the text.Soprano, alto, tenor, bassChoral score / 5 pages / minimum purchase: 20 copies.
Zezilius, Robert M.Dornenwaldfor organA notated improvisation on the Advent carol "Maria durch ein Dornwald ging" is the "Improvisation religieuse", which is thoroughly indebted to the freitonal yet harmonically colorful style of the great French improvisers. An introduction approaching the song is followed by an increasingly soaring middle section, which finally fades away in an intense epilogue.Playing score / 5 pages
Zezilius, Robert M.Go out my heartDo you know how many starsTwo folk songs for voice or (children's) choir and twoand two obbligato melody instrumentsRobert M. Zezilius writes obbligato accompaniments to the two religious folk songs, which richly ornament and surround the monophonic singing, which can be performed with a children's choir, for example.Choral score / 3 pages
Zezilius, Robert M.Intonation to "A great city rises"for organThe very free voicing to "Eine große Stadt ersteht" was written on the occasion of the 30th organ birthday in St. Bernhard, Fürstenfeldbruck and can be performed as a large-scale prelude.Playing score / 4 pages
Zezilius, Robert M.Postludio festivo for organMy "Postludio festivo", based on two motives from Puccini's "Missa di Gloria", was written as a solemn finale at the end of the Easter service.The work can be performed by a harmony instrumentation optionally with organ or by the organ alone.Playing score / 3 pages
Zezilius, Robert M.Tauet Himmel, den GerechtenMotet for choir a capellaThe hymn "Tauet Himmel, den Gerechten" from the 18th century is a translation of the hymn "Rorate coeli". Robert M. Zezilius arranged the three common stanzas in the style of the late romantic chorus motets with many interesting harmonic turns in the through-composed movement. The work is suitable for church choirs who are practiced in romantic musical language.Sophrane, alto, tenor, bassChoral score / 5 pages / minimum purchase 16 parts
Zezilius, Robert M.Two humorous melodramasMelodramas were extremely popular in the 19th century and versions with musical backgrounds were created for almost all great ballads. The partly commenting juxtaposition of language and music lends itself especially to a humorous verbalization or a very satirical commentary. Robert M. Zezilius has orchestrated two historical melodramas based on ballads by Friedrich von Schiller ("Die Bürgschaft" and "Der Handschuh"). The music is by Gustav v. Gizycki and by Diego Fischers. Diego Fischers is the pseudonym of the creator of the quite equally humorous variations on "'S kommt a Vogerl geflogen" by Siegfried Ochs.The SuretyHumorous melodrama no. 1 after Friedrich SchillerMusic: Gustav von Gizycki (Op. 18)The GloveHumorous melodrama No. 2after Friedrich von Schiller - Music: Diego FischersFlute (12 p.), piccolo (13 p.), oboe (12 p.), clarinet (12 p.), bassoon (12 p.), horn (12 p.), trumpet (12 p.), timpani (11 p.),cymbals and bass drum (12 p.), 2 violins (12 p.), viola (11 p.), cello (12 p.), double bass (12 p.) score and 14 parts / 240 pages
score / 73 pages
Zezilius, Robert M.Postludio festivo
based on motifs from Puccini's "Missa di Gloria"Mine was created as a solemn playoff at the end of the Easter service“Postludio festivo”, which is based on two motifs from Puccini's “Missa di Gloria”.The work can be performed by a harmony line-up, optionally with an organ, or by the organ alone.Fl, Ob, Klar-iB1, Klar-iB2, Fag, Hn, Trp-iB1, Trp-iB2, Pos, Pk, Org, KbScore & parts / 27 pages
Zucchi, GiacomoSerenade C-Dur, op. 3 Nr. 1Neuausgabe auf der Grundlage des Erstdrucks „Tre Serenate per due Viole, Violino e Violoncello composte e dedicate al Signor Conte Lorenzo Taverna da Giacomo Zucchi, allievo del J.R.Conservatorio di Musica in Milano.“ Milano, Artaria, n.d. (1815), P.Nr. 1110.Vl, 2 Va, VcHrsg: Klaus LocherPartitur & 4 Stimmen / 21 Seiten
Zucchi, GiacomoSerenade Es-Dur, op. 3 Nr. 3Neuausgabe auf der Grundlage des Erstdrucks „Tre Serenate per due Viole, Violino e Violoncello composte e dedicate al Signor Conte Lorenzo Taverna da Giacomo Zucchi, allievo del J.R.Conservatorio di Musica in Milano.“ Milano, Artaria, n.d. (1815), P.Nr. 1110.Vl, 2 Va, VcHrsg: Klaus LocherPartitur & 4 Stimmen / 24 Seiten
€18.00*
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