Anton BrucknerAve Maria
Motet for choir and organ
Arranged by Franz Kreuzlinger
soprano, alto, tenor, bass, organ
organ score / 5 pages
choir/ 4 pages / 30 parts
You are welcome to order additional choral scores in addition to the organ score and the other 30 choral scores.
Anton BrucknerAve Maria
Motet for choir and small orchestra
Arranged by Franz Kreuzlinger
score and parts/ 32 pages
Choir score/ 4 pages / 30 parts
Additional choral scores are welcome to order in addition to the score, parts and the 50 choral scores.
Anton BrucknerAve Maria
Motet for choir and orchestra
Arranged by Franz Kreuzlinger
score and parts/ 43 pages
For the strings, a minimum instrumentation of 4-4-3-1 is supplied.
Choir score/ 4 pages / 50 parts
Additional choral scores are welcome to order in addition to the score, parts and the 50 choral scores.
Bach, Johann SebastianTwo death chorals"Dearest God, when will I die""When my hour is up"for 1 violoncello and choirEdited by Robert M. ZeziliusThe two death chorales, accompanied only by a cello, become an impressive diptych that alternates between premonition of death and the desire for redemption.Choir / 6 pages / cello / 2 pagesOne cello part and the ordered number of choir scores will be delivered.
Guise Jean François deAria: Bist du bei mir(original for voice and piano) - BWV 502for voice, organ and trumpetarranged by Jean François de GuiseJean François de Guise was commissioned to make an arrangement of the aria: "Bist du bei mir" by Johann Sebastian Bach. The original work is from the "Notenbüchlein für Anna Magdalena Bach" and bears the number BWV 508.In Bach's oeuvre there are numerous pieces that he created for organ and trumpet. Especially his chorale preludes belong to the repertoire of every serious musician for trumpet players until today. Likewise, the instrumentation of voice and organ, well established in the worship service, and always proves grateful.That singing, trumpet and orchestra also work in church music is known to everyone who has heard, for example, the famous aria "Großer Herr und starker König" from the Christmas Oratorio or the solo cantata "Jauchzet Gott in allen Landen".It was also from these experiences that the piece presented here was commissioned for Eternity Sunday.In order to make performances possible even in a small ensemble, Jean François de Guise decided to create an arrangement for voice, trumpet and organ.He not only added a solo part for the trumpet here, but also incorporated an interlude that does not appear in the original. This makes the piece a real little solo aria.Since most trumpeters today play on the German concert trumpet in Bb, this was the first choice for the score and as a single part in the edition. However, in order to give musicians who prefer the C notation the opportunity to play the work, a C part is also included in the edition. This can then be used equally for the piccolo trumpet.voice, 2 trumpets, organscore and 4 parts / 27 pages
Ebenhöh, HorstHaiku and short poems for medium voice and pianoop. 92.1 and 92.21. Ein Haiku (Horst Ebenhöh)2. O, ö, ü, a, au (Horst Ebenhöh)3. Wie bedeutsam sind wir (Horst Ebenhöh)4. Du solltest alles versuchen (Horst Ebenhöh)5. Die weissen Wölkchen (Winfried Bauernfeind) 6. Ich malte (Fritz Steiner)7. Mein Kater (Horst Ebenhöh)8. Die Seele tastet nach (Ernst Schönwiese)9. Vergiß, was du gesehen (Ernst Schönwiese)10. Hungrige Krähen (Edith Sommer)11. Sei wie du denkst (Horst Ebenhöh)12. Ein Ton (Horst Ebenhöh)13. Die Prim (Horst Ebenhöh)14. Die reine Quint (Horst Ebenhöh)15. Ich kann‘s nicht fassen (Horst Ebenhöh)16. Kleine Septim (Horst Ebenhöh)17. Die große Septim (Horst Ebenhöh)18. Lasse dich treiben (Horst Ebenhöh)medium voice, pianoPerforming score / 25 pages
Guise Jean François deNun komm, der Heiden Heiland
op. 7, No. 17
Jean Francois de Guise was born on 15.05.1970. He received his first musical lessons in 1976 on the recorder. From 1977, the trumpet became his main instrument, followed by music theory, composition, piano and organ as well as conducting and singing over the next few years. From 1991 to 1996, he studied in Paris and elsewhere.
His teachers included Jean Langlais, Sergiu Celebidache and Rolf Reuter. De Guise was particularly influenced in his composition by the American composer Elliott Carter.
He worked for many years as a solo trumpeter and conductor with renowned orchestras before devoting himself almost exclusively to composing and teaching.
De Guise's compositional output comprises around 450 works, including 4 operas and 32 orchestral concertos.
3 vocal scores & 2 parts / 62 pagesfurther vocal scores / 24 pagesalto flute; violoncello / 4 pages
J.S. Bach / Charles GounodAve Mariafor soprano, female choir and harp / pianoThe famous Ave Maria von Bach / Gounod here in an attractive version for solo soprano, female choir and harp / piano. The heavenly melody that Gounod invented for the prelude by Bach sounds twice as in the original Gounod and is accompanied the second time by a finely arranged choral setting for female choir. Not least because of Benjamin Britten's “Ceremony of Carols”, the female choir and piano line-up is not only very popular in Christmas concerts.Score, Harp and 12x choir / 109 pages
Additional choir / 8 pages
Kreuzlinger Franz
Psalm 121
For choir and organ
The setting of Psalm 121 is part of a German Mass proprium based on psalm texts. The choir spreads out a canon structure via a constantly repeating chord in the organ.
Despite its contrapuntal demands, the setting can also be easily implemented for amateur choirs.
Choral score / 4 pages / minimum purchase 16 parts
Kreuzlinger FranzGerman measurement propriumfor choir (SATB), congregation (ad lib.), trombone, harp, percussion, dulcimer and organThe German Mass Proprium based on psalm texts was mainly created in 2008 and is seen by its composer as a major compositional work. The very cast of the instrumental ensemble that gathers the biblical instruments of praise gives the work its very own touch. Never leaving the tonality entirely, the work does not deny the alpine origins of its creator, which is partly reminiscent of Carl Orff, partly of Arthur Honegger.The delightful choral part can also be easily performed by ambitious amateur choirs.
Sophrane, alto, tenor, bass, trombone, dulcimer, harp, timpani, crotales, musical spoons, organ
See also on YouTube: Franz Kreuzlinger
Score and parts & 16 choral scores / 385 pages
Kreuzlinger FranzMissa sempliceFor male choir and organThe “Missa semplice”, created in 2020, is written in a moderately modern tonal language and is both a novel and catchy interpretation of the traditional Latin mass. While the corner sacks “Kyrie eleison” and “Agnus Dei” refer to Mozart (a counterfacture to one of his psalm settings) and the chorale “O Lamm Gottes”, one believes that the influence of Carl Orff can be heard in the repetitions. The Credo sounds impressively unanimously throughout with a melody line that goes through the circle of fifths.
Tenor, bass, organ
Singing and playing score / 22 pages / minimum purchase: 10 copies.
Kreuzlinger FranzMissa sempliceFor choir and organThe “Missa semplice”, created in 2020, is written in a moderately modern tonal language and is both a novel and catchy interpretation of the traditional Latin mass. While the corner sacks “Kyrie eleison” and “Agnus Dei” refer to Mozart (a counterfacture to one of his psalm settings) and the chorale “O Lamm Gottes”, one believes that the influence of Carl Orff can be heard in the repetitions. The Credo sounds impressively unanimously throughout with a melody line that goes through the circle of fifths.
Tenor, alto, soprano, bass, organ
Singing and playing score / 25 pages / minimum purchase: 20 copies.
Kreuzlinger Franz
Ave Maria siciliana • Sicilian Ave Maria
1. for choir and organ2. for voice and organ3. for choir and strings
The so-called "Sicilian Ave Maria" was created in a cycle of Italian Christmas carols. In a moderate modern tone, the impressive text of the Ave Maria is contrapuntal over the cantus firmus of the song "O sanctissima" (Eng. "O you cheerful"), which also in the short intermezzo between the two stanzas, as if from a distance, of angels sung sounds.
1. for choir and organ / 5 pages / The number of choir parts ordered will be delivered. Minimum purchase of the choir part: 16 copies.
2. for voice and organ / 3 pages / 2 issues will be delivered
3. for choir and strings / 16 pages / The number of ordered choir parts plus 1x score plus 1x set of parts will be delivered. Minimum purchase of the choir part: 16 copies.
See also on YouTube: Franz Kreuzlinger
Kreuzlinger FranzSicilian Ave Mariafor soprano and guitarInspired by the “Pietá project” by the Augsburg guitarist Stefan Barcsay, a version of the “Ave Maria siciliana”, also available for choir, was created. In a moderate modern tone, the impressive text of the Ave Maria is contrapuntal over the cantus firmus of the song "O sanctissima" (Eng. "O you cheerful"), which also in the short intermezzo between the two stanzas from a distance, by one Angel sang sounds.Performing score / 2 pages
Kreuzlinger FranzSmall Ettal Flute Massfor choir and instrumental ensembleThe “Little Ettal Flute Mass” in G major is based on motifs from the well-known “Two Minuets by Weinmüller” from 1784. The mass was created between Easter and Whitsun 2020 and is composed in the style of the time the minuets were created. This "Missa Brevis" was named after the unusual orchestral line-up with two soprano recorders; the approximately 13-minute mass is close to the character of the pastoral mass. It is also particularly suitable for smaller church choirs.2 sophran recorders, violin, choir, bassoon, organ, cello / double bassScore, choir and parts / 128 pages
Kreuzlinger FranzThree Italian Christmas carols
Lieti pastori - Sicilian Ave Maria • Ave Maria siciliana - Canzone dei pifferati
for soprano, recorder (s) and guitar / lute or harpsichordThe present version combines two traditional Italian Christmas carols with a new composition that was created using the Marian hymn "O Sanctissima". Georg Friedrich Handel quoted the third of the songs in his oratorio “Messias”.Performing score / 7 pages
Murschhauser, Franz Xaver‚Lasst uns das Kinderlein wiegen‘Arranged for female choirby Franz KreuzlingerWomen's choir and harp or organChoral score / 4 pages
Murschhauser, Franz Xaver‚Lasst uns das Kinderlein wiegen‘Arranged for female choirby Franz KreuzlingerWomen's choir and harp or organChoral score / 4 pages
Murschhauser, Franz Xaver‚Lasst uns das Kinderlein wiegen‘Arranged for female choirby Franz KreuzlingerWomen's choir and harp or organChoral score / 4 pages
Ph. Matthias KaufmannThe time that belongs to no onethree songs after poems by Eva M. Mayer-Flügge for soprano, alto saxophone and piano
Matthias Kaufmann (*1970) lives in Cologne and works as a freelance arranger and composer. He mainly develops symphonic formats for children's and family concerts, but also writes arrangements and original works for chamber music ensembles. His clients include young musicians and professional orchestras from the Children's Orchestra of North Rhine-Westphalia to the Berlin Philharmonic Orchestra.soprano, alto saxophone and piano3 playing scores / 63 pages
Ph. Matthias KaufmannTwo ballads of shudderingRecitation with violoncello and marimba
Matthias Kaufmann (*1970) lives in Cologne and works as a freelance arranger and composer. He mainly develops symphonic formats for children's and family concerts, but also writes arrangements and original works for chamber music ensembles. His clients include young musicians and professional orchestras from the Children's Orchestra of North Rhine-Westphalia to the Berlin Philharmonic.
Speaker, Violoncello, Marimba
3 playing scores / 30 pages
Puccini, GiacomoRequiem(1905)for tenor, choir and organ
Arranged by Franz Kreuzlinger
In memory of his teacher Guiseppe Verdi, Giacomo Puccini wrote a small „Requiem” for viola, choir and organ in 1905. On the occasion of the Puccini year 2024, Franz Kreuzlinger wrote a version in which the solo viola part becomes a solo tenor part. The choir can be performed originally on the organ or by a string orchestra. At the same time, a purely instrumental version was created for solo cello or solo viola and strings, which turns the choral work into an impressive instrumental meditation.
Minimum order quantity: 13 choral scores & 1 full score / 56 pages1 choral score / 4 pages
Zezilius, Robert M.Go out my heartDo you know how many starsTwo folk songs for voice or (children's) choir and twoand two obbligato melody instrumentsRobert M. Zezilius writes obbligato accompaniments to the two religious folk songs, which richly ornament and surround the monophonic singing, which can be performed with a children's choir, for example.Choral score / 3 pages
€2.50*
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